Reviews
2019
- ... Małgorzata Rocławska also superbly masters the excitement-generated wide interval leaps in the role of Fiordiligi ("Come scoglio"), in which she also gives a brilliant, secure top register.
- Stuttgarter Zeitung
- ...her free, completely confident soprano reveals deep feelings in Per Pieta.
- Reutlinger General-Anzeiger
- (...) The soloists were brilliantly convincing. The performance of the soprano Małgorzata Rocławska was enormously impressive, who mastered her role with almost diva-like sovereignty and even in the quietest pianissimo lent her voice an intensity that outshined everything.
- Reutlinger General-Anzeiger
2020
- ...The soprano Małgorzata Rocławska made optimal use of the possibilities of her role. Her voice is brilliantly controlled in all registers and in the final song she outshined the choir and full orchestra with her canorous and sheer effortless sound.
- Schwäbisches Tagblatt
- An increase in passionate emphasis was then brought by the excellent performance of the duo Małgorzata Rocławska (soprano) and Olga Wien (piano), who particularly and effectively triumphed in the two songs “Das Rosenband” op. 36/1 and "Cäcilie" op. 27/ 2 by Richard Strauss. Declamatory outbursts and emotional pathos entered into a happy connection here, the intensity of which did not diminish. "Mignon: Do you know the country?" by Hugo Wolf was also very impressive. The descriptions of the soul, filled with wild chromaticism, seemed to escalate to infinity. But the ecstasies had no rushing pathos, they also seemed intimate. Very introverted and with great maturity, the gifted duo then created Franz Schubert's "Die Differentiation" D 828. "Apparition I." by Claude Debussy fascinated with its mysterious and polyphonically connected soundscapes.
- Online Merker
- The soprano Małgorzata Rocławska showed an enormous range of acting skills, precisely accompanied by Olga Wien. She changed roles and registers effortlessly, her voice had a clear core, from which a glimmer seemed to spread through the whole room. Breathing - beautiful in the depths, blooming in the heights, she designed her "Mignon: Do you know the country?" in a moving and visionary way.
- Kesseltöne | Die Online-Kulturzeitung für Stuttgart und Umgebung
- The second prize-winners, the soprano Małgorzata Rocławska and the pianist Olga Wien, already internalized exactly this – in a way that even made the late-romantic agglomeration of sound from Richard Strauss’ "Cäcilie" seem transparent. Wien rightly received an additional special prize for her fine and very individual performance on the grand piano.
- Stuttgarter Zeitung
2022
- This is an expressive twist in interpretation, which, among other things, ties in with Pamina's death aria celebrated by the Polish singer Małgorzata Rocławska with a beguilingly floating soprano.
- Kieler Nachrichten
- The other roles are also excellently cast. (...) Małgorzata Rocławska with lyrical, tender touch as Romilda.
- Schleswig-Holsteinischer Zeitungsverlag
- Małgorzata Rocławska is a firework of expressive and beautiful tones as the amazed, coveted Romilda. The Polish soprano sings with instrumental sensitivity, sometimes softly like a flute, sometimes brightly white like a trumpet, or cuddly, freely swinging like the strings.
- Kieler Nachrichten